A half-century ago, Thomas Berger published Little Big Man, a satire of Westerns that helped increase the stature of the Western genre as a whole. To mark the book’s 50th anniversary, Allen Barra reflects on its legacy, suggesting that it’s as good a candidate as any for the title of Great American Novel. Related: Daniel Kalder on the odd phenomenon of the Euro-Western.
“Literary interviews became popular in the eighteen-eighties, but Richard Altick, the late professor of Victorian literature at Ohio State University, traces the public fascination with writers’ homes at least as far back as the eighteen-forties, when there was a vogue for books describing the houses and landscapes of famous authors, complete with engravings and, later, photographs.” On the strangeness of literary celebrity.
Year in Reading Alum Alexander Chee reviews Rick Moody’s latest release, Hotels of North America. “The present is too cruel for him, and yet he cannot change it, so there is this instead, sentence by sentence, a nod to the past that is really a nod to his own past. A conflation of his nostalgia for the days of his sexual attractiveness and the unencumbered power of white men, all of it dressed up as a love for old words.” To hear more from Moody, check out our recent interview with him.
Author Jim Crace reflects on his final book in Abu Dhabi’s The National: “The thing is, I’ve written an appalling amount of books. … The writing life doesn’t last forever. I am fit and well, and there are plenty of other things to do that I’m excited about, which are incompatible with spending most of my life shut up in a room. So that’s what I’m going to do, write a final book, and that will be it.”
“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.