A half-century ago, Thomas Berger published Little Big Man, a satire of Westerns that helped increase the stature of the Western genre as a whole. To mark the book’s 50th anniversary, Allen Barra reflects on its legacy, suggesting that it’s as good a candidate as any for the title of Great American Novel. Related: Daniel Kalder on the odd phenomenon of the Euro-Western.
The internet has allowed self-publishing to become tremendously popular, but writers have been limited in their ability to create custom designed books. A new site called Blurb is offering book creation software that allows you to build your own book. Then they print it for you. It’s meant for creating a one off gift or keepsake, and the prices seem somewhat steep, but it’s probably better than what you would get from a professional print shop.The Bookfinder.com Journal discusses the US Copyright Office’s new report on orphan works (“Orphan works are copyrighted materials whose owners are difficult or impossible to locate, meaning they can no longer be purchased, reprinted, cited at length, or otherwise built upon. Books can get ‘orphaned’ for all sorts of reasons.”) New rules will hopefully make it easier to republish out of print work that has disappeared because copyright holders cannot be found.The Baltimore Sun reports on a man who tried to build his book collection by checking out more than 402 books on as many as 10 different library cards. The fine? Three years in prison.
JW McCormack has some Notes Toward [A Potential] Film Adaptation of Roberto Bolaño’s 2666 up at The American Reader. As somebody who can’t even fathom making Cormac McCarthy’s decidedly less brutal (although still unimaginably brutal in its own way) Blood Meridian into a film, let me tell you: the idea of turning 2666 into a theater-ready motion picture seems impossible. (P.S. You really should just read both of those books…)
Out this week: The Refugees by Viet Thanh Nguyen; Amiable with Big Teeth by Claude McKay; Autumn by Ali Smith; A Separation by Katie Kitamura; 300 Arguments by Sarah Manguso; The Woman Next Door by Yewande Omotoso; Pachinko by Min Jin Lee; and Universal Harvester by John Darnielle. For more on these and other new titles, go read our most recent book preview.
In a piece for Public Books Rebecca Steinitz reviews some recent historical novels, including The Luminaries and The Invention of Wings, and argues that the best historical fiction “plunges the reader wholly into the past, enlightening and entertaining us, while also making us reflect on our present, in history and in literature.” Pair her piece with Laila Lalami‘s account of “How History Becomes Story.”
Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer’s early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.
Out this week: Another Brooklyn by Jacqueline Woodson; Shining Sea by Anne Korkeakivi; White Nights in Split Town City by Annie DeWitt; War and Turpentine by Stefan Hertmans; How to Party with an Infant by Kaui Hart Hemmings; Arrowood by Laura McHugh; and The Glorious Heresies by Lisa McInerney. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.