A half-century ago, Thomas Berger published Little Big Man, a satire of Westerns that helped increase the stature of the Western genre as a whole. To mark the book’s 50th anniversary, Allen Barra reflects on its legacy, suggesting that it’s as good a candidate as any for the title of Great American Novel. Related: Daniel Kalder on the odd phenomenon of the Euro-Western.
Out There
The Elmore Enigma
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
Emily Gould’s Favorite Memoirs
Emily Gould, author of the new memoir And the Heart Says Whatever, lists the best memoirs ever at the Daily Beast: “A few themes run throughout: druggy, decadent bohemia, forbidden or strange sex, art, and power, and, um, cooking.”
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5 Scary Stories
Recommended reading, Halloween edition: 5 scary stories written by women, courtesy of BookRiot.
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Levin and Vronsky Are Dead
November 16th marks the release of the new film version of Anna Karenina (written by Tom Stoppard), which you can watch the trailer for here. It might also be a good time to brush up on the novel itself.
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