A half-century ago, Thomas Berger published Little Big Man, a satire of Westerns that helped increase the stature of the Western genre as a whole. To mark the book’s 50th anniversary, Allen Barra reflects on its legacy, suggesting that it’s as good a candidate as any for the title of Great American Novel. Related: Daniel Kalder on the odd phenomenon of the Euro-Western.
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
Recommended reading, Halloween edition: 5 scary stories written by women, courtesy of BookRiot.