A half-century ago, Thomas Berger published Little Big Man, a satire of Westerns that helped increase the stature of the Western genre as a whole. To mark the book’s 50th anniversary, Allen Barra reflects on its legacy, suggesting that it’s as good a candidate as any for the title of Great American Novel. Related: Daniel Kalder on the odd phenomenon of the Euro-Western.
Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”
“I was absolutely horrified. Wouldn’t have known if not for a Russian reader who read both editions. Publisher in total breach of contract.” The Guardian reports that author VE Schwab was “devastated” to learn scenes from her fantasy series Shades of Magic have been excised from Russian translations for featuring queer characters. See also: a consideration of the commercial viability of LGBTQ lit.