As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.
A white male poet recently revealed his controversial strategy of using an Asian pseudonym to place his poems, which were eventually selected for inclusion in the Best American Poetry anthology for 2015. Brian Spears writes for The Rumpus about the complications of diversity in publishing, Affirmative Action, and the ethics of poetry submission systems.
At The Awl, Noah Davis provides an honest overview of how difficult it can be to earn – or fail to earn – a living from freelance internet writing. Perhaps would-be freelancers should take a cue from Ian Hamilton’s 1998 London Review of Books essay in which he espoused the benefits – or perils – of accepting prizes and other literary subsidies.
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”