The new issue of The Enemy is out, and it’s got some goodies which may be of interest to Millions readers. Among them are two new poems by Ruth Ellen Kocher, who won the 2014 PEN Open Book prize; an appraisal of the value of bad art by sociologist Alison Gerber; and a reassessment of the MFA by Beckett Flannery.
Appearing Elsewhere 1: Be sure to check the Tournament of Books on Monday for Max's judgment. Which will be the victor, Shadow Country or The Lazarus Project?Appearing Elsewhere 2: Check out Millions contributor Emily's review of D.J. Taylor's Bright Young People: The Lost Generation of London's Jazz Age at The Washington Times.Further Reading: Many additions have been made to The Millions' Collaborative Atlas of Book Stores and Literary Places. Don't forget to add your own favorite spots."Inventor Paolo Bizziocchi proposes that it would be easier to read text if it were sloped downhill from left to right." And he has a patent!Michael Jackson is auctioning off a whole bunch of his possessions April 22-25 in Beverly Hills. The catalogues are entitled King of Pop: A once in a lifetime Auction Featuring the Personal Property of Michael Jackson. Definitely curious.Following up on the D.T. Max profile of David Foster Wallace (on which Garth weighed in), Max has answered some questions at the New Yorker website.The longlist of Orange Prize nominees has been announced and we're happy to see that debut novelist and Millions Year in Reading contributor V.V. Ganeshananthan is one of them.Book clubs are supposed to be for books, even if you're in elementary school.
Among the better Tumblr memes is Read to Me Tuesday, which is exactly what it sounds like: people choose a passage from a book, call in and read the passage over the phone. The resulting posts are compiled under the hashtag #RTMT and often re-blogged by rtmt.tumblr.com. As we see increased interest in social reading experiments like bookglutton.com, RTMT shows how the web might make social connection through reading aloud a possibility for the first time since, well, story time. Plus it's really, really fun.
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.