Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, “The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn.” Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
Recommended Reading: This review, though it is really much more than that, of Daniel Williams’ Defenders of the Unborn. Williams’ book takes a detailed look at the history of anti-abortion activism before Roe v. Wade, but more generally it seeks to complicate our entire definition of activism in the context of the pro-life/pro-choice debate.
New York Review of Books Classics is having its annual Summer Sale, and some of the bundles this year are particularly enticing. For instance, you can grab perennial Millions favorite (and current international bestseller) Stoner as part of a bundle that also includes Renata Adler’s Speedboat. The publishers are also offering John Horne Burns’s lost masterpiece, The Gallery, as part of a collection of World War II novels. You may recall David Margolick’s great profile of Burns from the New York Times Magazine last month.
Two weeks ago, the Internet Gods (meaning: the Unicode 7.0 update) gave us hundreds of new emoji symbols, including the middle finger and peace dove. By now our emoji usage patterns can be used by psychologists to understand our minds. “People who use no noses tend to be tweeting more about… Justin Bieber. They have younger interests, younger concerns, whether or not they’re younger.”