Soon HBO will have another show based on an acclaimed book in its lineup. Olive Kitteridge, a show based on the Pulitzer Prize-winning novel by Elizabeth Strout, will premiere on November 2nd. You can see the trailer (along with a brief analysis) over at Slate. FYI, Strout wrote a Year in Reading entry for us.
Olive Kitteridge on HBO
“Between research and reflection”
The LA Times has a review up of Eula Biss‘s On Immunity: An Innoculation, an “elegant, intelligent and very beautiful book, which occupies a space between research and reflection.” We covered the collection in our Second-Half 2014 Book Preview, and Biss’s first book, Notes from No Man’s Land, has appeared in several Millions pieces over the last few years.
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Rocker Lit
First there was Keith Richards’s autobiography, Life. Now he is writing a children’s book, complete with illustrations by his daughter. Gus & Me tells the story of Richards’s bond with his grandfather, which is slightly more normal than snorting his dad’s ashes.
A Really Quick Exorcism
It’s that time of the week wherein I remind you about the hilarious series over at Electric Literature, “Ted Wilson Reviews the World.” This week, Ted tries his best to remain impartial while reviewing that one sneeze he had: “The sneeze I had came on so quickly I didn’t have time to put my hand over my face and the spray went everywhere. It made me wish I had been standing over a salad bar so there would have been a sneeze guard handy. That’s why if I’m about to sneeze at Olive Garden I immediately sprint for the salad bar.”
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“How should intellectuals write about acts of immense depravity?”
This is a fantastic piece on W. H. Auden, “The Murder of Lidice”, and the importance of the ideological and political contexts of war. Joanna Bourke writes, “the flood of poems [after the Lidice massacre] actually served to draw attention away from the people of Lidice and towards the swollen sensibilities of the poets and their readers.”
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Make the Canadians Face Off Against Everybody Else, Too
“Nurturing eventually becomes coddling, and now it’s time to encourage that work to take a bigger stage,” writes Jared Bland in his plea for the Griffin Poetry Prize to combine its two categories – Canadian and English-language – into one, global whole.