Soon HBO will have another show based on an acclaimed book in its lineup. Olive Kitteridge, a show based on the Pulitzer Prize-winning novel by Elizabeth Strout, will premiere on November 2nd. You can see the trailer (along with a brief analysis) over at Slate. FYI, Strout wrote a Year in Reading entry for us.
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
Congratulations to the NYPL for restoring $36.7 million of the city’s proposed $40 million budget cut. Today also marks the first day of new NYPL president Anthony Marx. (Pro-tip: when you want to skip the wait list for a popular book, reserve the large-print version!)
If you like the music of groups like Portishead, CocoRosie, and the Cocteau Twins, you might be interested in the eerie musical dreamscapes of Emily Wells, a gifted violinist and vocalist whose work combines classical, folk, and hip hop. Here she performs “Symphony 1 In the Barrel of a Gun.”
This fall, Marilynne Robinson will mark her return to a fictional plains town in Iowa with the publication of Lila, the third novel in her Gilead series. Expect the novel to be featured in our forthcoming Great Book Preview, but if you can’t wait until then, you’ve got to check out FSG’s exclusive excerpt from the book.