“All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself.” Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
Mothers & Monsters
Always Label Your Milk
Among other things he left out of his famous poem, William Carlos Williams failed to give us any details about the kitchen in which he ate plums. At The Toast, Mallory Ortberg rewrites the poem so it takes place in a communal dorm kitchen.
Summer Knowledge
Recommended Reading: John Ashbery on just about anything. Specifically, though, this piece on Delmore Schwartz and the pain of poetry is as good a place as any to get familiarized with both writers.
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Walt Whitman Reads
Recommended listening: 19 Rare Recordings of Famous Authors Reading, as compiled by Mental Floss, including the likes of Virginia Woolf, Walt Whitman, Ernest Hemingway and Flannery O’Connor. For a different perspective on the word “rare” as applied to digital culture, be sure to read Rex Sorgatz‘s recent piece for Medium, “You Need to Hear this Extremely Rare Recording.”
Alexander Chee: “I, Reader”
Alexander Chee has a lovely essay about books and technology up at The Morning News.
Animated Russian Classics
Polish filmmaker Piotr Dumala spent three years working on his half-hour-long expressionistic adaptation of Fyodor Dostoevsky’s Crime and Punishment, and the result is a “destructive animation” that’s at once unnerving and beautiful. However in case you’re more pressed for time, you can also get your animated Russian literature fix by checking out Natalia Berezovaya and Svetlana Petrova’s two-minute-long animation for Mikhail Bulgakov’s The Master and Margarita.
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