“I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences—your obsessions—come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.” Amber Sparks writes about “lowbrow” influences and the many paths to becoming a storyteller in an essay for Electric Literature.
Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
Anyone who cares about the financial viability of the book business should read Author’s Guild President Scott Turow’s open letter on the implications of the government’s threatened anti-trust suit against major publishers and Apple over alleged collusion in e-book pricing.
“It’s not easy to choose only five books, so I made up my mind and decided to mention the five I can’t help reading again, once in a while, because they are still here for me today.” Here’s a list of five necessary French books that you should be reading, including works by Louis-Ferdinand Céline and Marguerite Duras.