“I don’t think writing the truth makes you strong by default. I think it makes you vulnerable, which in turn can make you strong.” Amy Jo Burns writes for Ploughshares about the difficulties of “Writing About Other People” and the upcoming publication of her debut memoir, Cinderland.
How can we not link to this? Mickey Hess creates a mock-Millions essay in refashioning Cathy Day’s essay about “the novel problem” in MFA programs as “The Light-Bulb Filament Problem: 7 Thoughts on Academia’s Sheet Metal Crisis.” Clever response to the ongoing MFA debate or just plain silly?
The recently (and controversially) appointed poet laureate of North Carolina has resigned from the post, but the upset generated by her short-lived laureateship can be interpreted as a sign of just how important poet laureates are. If you’re unconvinced, or simply confused about what exactly poet laureates do, we have just the links for you.
“All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself.” Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
Pharrell Williams is suing Black Eyed Peas member Will.I.Am over the latter’s insistence that he owns copyright on the phrase, “I Am.” If the judge in this case is truly worth their salt, they should force both musicians to settle this matter with a no-holds-barred John Clare-esque “I Am” poem off.
December 26, 1962 marked the first time that Playboy Magazine ever used the phrase “turn-on.” Since then, humans have conceived of a remarkable variety of metaphor and colorful language in an attempt to try and make some sense of copulation. Over at Hazlitt, Chelsea G. Summers takes a close look at the increasingly electric language of sex. Unsurprisingly, sex is never far from the mind of a literary writer, either.