Over at Words Without Borders, Esther Allen considers how to translate a song. As she puts it, “A song that almost everyone in a given culture at a given moment knows is a unique cultural artifact, a crystallized collective experience, a profound trigger that sets off a complex string of shared emotions.” Pair with Magdalena Edwards’s Millions essay on songs as triggers.
There are plenty of new books to this week to fill that post-election void: Both Flesh and Not: Essays, a posthumously published collection from David Foster Wallace; Barbara Kingsolver's Flight Behavior; Prosperous Friends by Christine Schutt; Magnificence by Lydia Millet; and These Things Happen, a debut by longtime TV writer Richard Kramer. From the indies, we have The Care and Feeding of Exotic Pets by Diana Wagman and Keyhole Factory by William Gillespie. Also out are Philip Pullman's new version of Fairy Tales from the Brothers Grimm; Hallucinations by Oliver Sacks; and a big new Michael Jackson biography by a former Rolling Stone editor.
2011 is the year of television's oral history. On the heels of Those Guys Have All the Fun: Inside the World of ESPN, published last May and reviewed by n+1 here, you can now check out I Want My MTV: The Uncensored Story of the Music Video Revolution. You can whet your appetite with an excerpt here. If television's not your thing, you can also check out New York Magazine's oral history of the Upright Citizens Brigade, and of the founding of Ms. magazine.
Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he "still believe[s] art is more powerful than money." This from the man whose tiger shark and formaldehyde sculpture "The Physical Impossibility of Death in the Mind of Someone Living" sold for $12 million-- the figure that Don Thompson reports in The $12 Million Stuffed Shark.