The new novel by Colm Tóibín draws largely from the author’s memories of his father passing away when he was young. In a Guardian essay, the author writes about his discovery that literature can be a vessel for grief, with a nod to the writer and Dublin mainstay Mary Lavin. If you’d like to learn more about Tóibín’s fiction, you can read our pieces on his books.
Dutch researchers are using moistened electrode caps to measure the brain waves, heart rate, galvanic skin response and facial expressions on an author and fifty of his readers. They hope to find patterns “that may help illuminate links between the way art is created and enjoyed, and possibly the nature of creativity itself.”
The Oscar Blog: Ed has recruited Scott, YPTR, Elizabeth Crane, Jeff, Gwenda, Mark and several others to “live blog” the Oscars on Sunday. I’m convinced that no good can come of this… but you can bet I’ll be reading along.I’ll read what ever Malcolm Gladwell writes, but his 2-part conversation with ESPN.com columnist Bill Simmons on sports (and many other topics) is particularly entertaining.I’m a huge fan of the Comics Curmudgeon blog, which hilariously skewers the newspaper funnies. Now Josh has hit the big time. He’ll be skewering political cartoons for Wonkette.The winners of the 2005 Book Critics Cirle Award will be announced tonight. Here are the finalists.Brokeback Mountain (video link) in Bun-O-Vision.
“Publishing is a word that, like the book, is almost but not quite a proxy for the ‘business of literature.’ Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself.” Twenty-first century publishing works in mysterious ways.
“Percy’s victory set off a controversy that involved the most powerful man in publishing, a famous journalist eager to take credit for the award, and a cub reporter who would go on to become one of the most celebrated writers of our time.” Benjamin Hedin delves into the mysteries of a controversial award.