“If a modern film version of Pride and Prejudice were produced today, some of the main characters should be gay, Elizabeth and Darcy should not get married at the end, and Charlotte Lucas should be played by a tabby cat.” Laura Fairchild reveals her students’ ideas for new adaptations of Jane Austen novels while meditating on what Austen can or can’t teach us about modern relationships.
His new novel, Sunset Park, finds Paul Auster leaving behind the metafictional gamesmanship of his recent work for a look at our new Age of Austerity. This week, he talks to The L Magazine about the neighborhood from which it takes its title and inspiration...
Our own Emily St. John Mandel won one of the inaugural Indie Booksellers' Choice Awards yesterday for her novel The Singer’s Gun. The other honorees for this award, which was voted on by indie booksellers around the country, were Paolo Bacigalupi for The Windup Girl, Adam Levin for The Instructions, Karl Marlantes for Matterhorn, and Nina Revoyr for Wingshooters.
"Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy." Cathleen Schine reviews Francine Prose's newest novel, Mister Monkey, over at The New York Times.
At Open Letters, Rohan Maitzen writes about her awakening to the chasm between an academic appreciation for books and "a more personal, affective, and engaged vision of criticism. It has been surprising and exciting to me to realize how blinkered I was about non-academic book culture, and chastening to realize how little use my own specialized reading has been as preparation to join in."