“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
How to Win
So, You Want to Submit to a Literary Magazine
Over at The Review Review, Chuck Augello provides a useful guide for writers trying to determine where they should submit their work. He covers several aspects of the process: Identifying Potential Markets, Circulation, Evaluating the Journal, Evaluation Criteria, and Simultaneous Submissions. None are more important than the last, though: Do the Work.
What Scares You
“If what you’re writing doesn’t scare you, you probably ought not be writing it.” The Rumpus interviews Josh Weil, author of The Great Glass Sea.
Where to Begin
“I saw a novel with a mysterious-looking black woman on the cover. That was why I picked it up – because of the African woman on the cover of a book in the Science Fiction and Fantasy section. I read the first page and my eyes nearly popped out.” Book Riot has a killer roundup of posts in honor of Octavia Butler‘s birthday today, including five other sci-fi authors on being inspired by her writing (that’s Nnedi Okorafor above). Pair with our own Edan Lepucki‘s consideration of Butler’s novel Kindred.
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The anticipations of a Most Anticipated book
Not every worthy book finds the audience it deserves as quickly as Edan Lepucki’s California. John Warner writes about the long aftermath of finding his debut, The Funny Man, featured in our 2011 Most Anticipated Book Preview: “I wondered, what if? Maybe this was going to be the next phase of my life, and when people asked me what I did, I’d say that I wrote novels.” His new collection of short stories is Tough Day for the Army.
Angst Extra
Poet Aaron Belz posted the following ad on Craigslist: “Poet available to begin work immediately. Capable in rhyme and meter, fluent in traditional and contemporary forms. Quotidian observations available at standard rate of $15/hour; occasional verse at slightly higher rate of $17/hour. Incomprehensible garbage $25/hour. Angst extra.” It worked. So far he’s written insults and responses to Aubrey Plaza. At The Atlantic, Micah Mattix wonders if this is a new marketing model for artists.
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No Getting Without Giving
If Claudia Rankine writes it, it’s safe to say I’d recommend it. Here she is in a long, lovely essay on Adrienne Rich and her poetic transformations.
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