Since they got married and began working 33 years ago, Larissa Volokhonsky and Richard Pevear have translated around 30 works of Russian literature, from The Brothers Karamazov to Doctor Zhivago. Now their interview with the Paris Review is available online from the Literary Hub, and this seems as good a time as ever to bring up that constant debate: who’s greater, Tolstoy or Dostoevsky?
“Lovecraft Country doesn’t just race along, it tears, demanding that you keep turning its pages without interruption. I read the second half of the book while walking in my neighborhood, holding the book with one hand and clutching bags of groceries in the other, and then finishing up in bed with a small LED lamp after my wife had fallen asleep. It’s one of those books.” Cory Doctorow reviews Matt Ruff’s Lovecraft Country at BoingBoing.
“When Michael reads in one of the society columns that are hilariously reprinted here, misspellings and all, that Astrid’s jewels aren’t blingy enough, he flies into a fury of inadequacy. This leads him to try to buy one of Singapore’s rarest architectural masterpieces and turn its ground floor into a museum for his car collection, which includes a car from Ferris Bueller’s Day Off; fortunately, his offer is turned down.” On Kevin Kwan’s China Rich Girlfriend.
We’ve written about the newly published Laura Ingalls Wilder memoir several times, but a new review in the LA Times calls attention to one of the most interesting questions raised by the work: how much influence did Wilder’s daughter Rose Wilder Lane, an accomplished author in her own right, have on the final Little House books?