Modern technology has finally developed a device that aims to aid all perpetually distracted writers – the cleverly titled Hemingwrite.
“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.
Jessica Francis Kane’s mother worked for Playboy back in the 1960s, a time “when it was an intellectual magazine as well as a pinup, when people really did subscribe to it for the articles.” Over at The Morning News, Kane shares a fascinating interview with her mother, and they talk about what it was “like to be a woman … in such a sexy workplace at such a weird time.”
“The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in.” Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a “self-made America.” Pair with Matthew Wolfson‘s review of Yelena Akhtiorskaya‘s novel of Brighton Beach and Odessa, Panic in a Suitcase.