Modern technology has finally developed a device that aims to aid all perpetually distracted writers – the cleverly titled Hemingwrite.
“Seidel scared himself with poetry, and us too. How had he done it?” John Jeremiah Sullivan presented the Hadada Award to Frederick Seidel at The Paris Review’s Spring Revel last month. You can read the full text of his speech and three of Seidel’s poems. This seems to be a much better week for Sullivan because he also just won the James Beard Foundation’s MFK Fisher Distinguished Writing Award for his essay “I Placed a Jar in Tennessee.”
New this week: Salman Rushdie’s much talked about memoir Joseph Anton, T.C. Boyle’s San Miguel, The Life of Objects by Susanna Moore, and Irvine Welsh’s Trainspotting prequel Skagboys. Also new this week: Paul Elie’s Reinventing Bach, Sylvie Simmons’s biography I’m Your Man: The Life of Leonard Cohen, and n+1 vet Marco Roth’s memoir The Scientists.
BuzzFeed is launching an Emerging Writer’s Fellowship, complete with $12,000 stipend, and Saeed Jones, whose poetry collection Prelude to Bruise was released last year, will be their new Literary Editor. Electric Literature talked to Jones about digital journalism, the need for diversity in writing and publishing, and what he’s looking for in Fellowship applicants.
“No one in his or her right mind would read James’s essay in order to vouch for or against its literary quality, but I am here to do just that.” Ryan Lejarde parses LeBron James‘s “I’m Coming Home” for The Rumpus and comes to myriad conclusions about sports, literature, and what it means to love Cleveland.