The Economist gives a succinct explanation of “why books come out in hardback before paperback,” but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist‘s article with Nichole Bernier‘s Millions piece on “The Point of the Paperback.”
Hardcover, Paperback and The Economist
Potterversary
“The fact that Harry Potter midnight release parties were the event to go to as a teen was completely unprecedented in geek culture. You can draw a dotted line to the mainstreaming of geek culture through Harry Potter.” Twenty years after the publication of Harry Potter and the Sorcerer’s Stone, The Huffington Post asks authors, editors, and publishers how Rowling’s juggernaut changed reading and the world of Young Adult fiction. Then see this counterpoint from our own pages last year: There Is No Such Thing as the Young Adult Novel.
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Alias Atwood
Following on the success of Hulu’s adaptation of The Handmaid’s Tale, Netflix teases a first trailer for its take on Alias Grace. Read our review of the former here.
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Another Reason to Subscribe to The Millions
With the US Postal Service facing massive cuts to its budget, Saturday delivery may soon become a thing of the past. Print publications are bracing themselves for this possibility.
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Just Like, “Gross”
“excited to get over you by being obsessed with somebody who doesn’t want me.” Poetic Twitter accounts are all the rage. Over at The New Yorker, Haley Mlotek takes an in-depth look at one account in particular that is toeing the line between dark humor and debilitating sadness, @SoSadToday.
Dancing Feet
Fred didn’t always have Ginger: The Boston Review looks at the many dance partners of Fred Astaire, as catalogued by Hermes Pan: The Man Who Danced With Fred Astaire and The Astaires: Fred and Adele.
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Down to/Poetry
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
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