Recommended reading: Catherine Lacey writes for Granta about “The Question of Fate” and fiction writing.
Fate and Fiction
Friends Forever
Year in Reading alumnus Jonathan Safran Foer and Oscar-winning actress Natalie Portman have been exchanging emails for over a decade. Over at The New York Times Magazine, they share their recent correspondence on how things have changed since the beginning of their friendship.
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Hear what everyone has to say but don’t listen to anyone (except me).
Suddenly, a Knock on the Door author Etgar Keret shares “Ten Rules for Writers” with Rookie.
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Welcome, Kate!
This week we are delighted to announce that Kate Gavino is joining The Millions as Social Media Editor! Kate is a writer, illustrator, and creator of the website Last Night’s Reading, which was compiled into a published collection by Penguin Books in 2015. Her second book, Sanpaku, was published by BOOM! Studies in August of 2018. She most recently worked as a social media editor at Brooklyn Public Library.
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That Was How He Was
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
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Stephen Fry’s Culture Shock
Stephen Fry uses the Alabama-Auburn Iron Bowl to summarize the state of America.
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Salvaging the Unwritten
How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.