There’s been a lot of discussion about self-publishing books, but what about crowdfunding? Online publisher Unbound is proving it could work and has already raised over £1 million and funded 54 books. The model itself couldn’t really be any simpler – “the author pitches an idea and if enough readers support it, the book goes ahead. Once it has been printed, the book’s net profits are then split 50/50.”
Dr. Seuss Went to War: A Catalog of Political Cartoons by Dr. SeussThe Philadelphia Inquirer profiles Joseph O'Neill (via).A primer from Bookride for using the web to check the values of old books. "The first thing to remember is that most books are of low value or no value. Some books are worth less than nothing."The second issue of Wag's Revue is out, featuring an interview with T.C. Boyle.For fans of The Wire, issue four of darkmatter Journal analyzes the series with essays like "The Politics of Brisket: Jews and The Wire" and "The Subversion of Heteronormative Assumptions in HBO's The Wire".The Rumpus gets listy with George Pelecanos' favorite WesternsThe Second Pass follows up on our "Most Anticipated" list with a few more books to look forward to.
When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
In case you missed it, this past weekend The New York Review of Books likely outed the author who's been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante's work. Might we suggest starting with this piece about The Neapolitan Quartet's subversive power?
"On Thursday, an uncorrected proof of her debut novel, Harry Potter and the Philosopher’s Stone, with the writer’s name was misspelled as “JA Rowling”, became the muddled copy to fetch four figures at auction." The Guardian presents a survey of famous literary typos and malapropisms. See also our own Edan Lepucki's interview with her beloved copyeditor Susan Bradanini Betz.