“How is the life of a creative person—an artist, a designer, a composer—related to his or her work?” The New Yorker lists 7 archived pieces by way of answer.
Recommended Reading: This essay on Jorie Graham, Modernist poetry, and the resistance of closure from The Nation. In the essay, Ange Mlinko puts Graham in league with such writers as John Ashbery and Frederick Seidel as some of the few living American poets “to have advanced a worldly, Modernist model of the poem into the 21st century.”
In The New York Times Magazine, Heather Havrilesky cautions against "The Divorce Delusion," or one of modern drama's most unrealistic tropes. "Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell," she writes, "that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm."
Blackout, the recent memoir by Sarah Hepola, chronicles the author’s long struggle with reckless drinking. The title references the total loss of memory she experienced after some of her worst benders. At The Morning News, Rosecrans Baldwin talks with Hepola about her book, amnesia and the nature of memory.