“How is the life of a creative person—an artist, a designer, a composer—related to his or her work?” The New Yorker lists 7 archived pieces by way of answer.
“There’s more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date,” Philip Roth said in an interview with Cynthia Haven for Stanford’s The Book Haven. Besides his retirement from writing, Roth also discussed why he doesn’t consider himself an American-Jewish writer and his book The Ghost Writer. For more Roth, read our essay on lessons you can learn from his work.
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
Over at Guernica, Liza St. James interviews Adam Z. Levy and Ashley Nelson Levy, the founders of the independent press Transit Books. As they put it, “We were noticing this kind of partition between two types of readerships: those who read domestic literature and those who read translation. […] We were interested in the separation of those literary spheres, and began to wonder how to bridge the gap between them.”
When Arthur Conan Doyle wasn’t writing Sherlock Holmes, he was a practicing doctor. Thomas Goetz’s new book The Remedy discusses the history of tuberculosis and Doyle’s role in finding a cure with Robert Koch. The Daily Beast interviewed Goetz about how he came up with the idea for the book. “These two characters were part of a much larger story about how scientific discoveries evolve into social change.”