“How is the life of a creative person—an artist, a designer, a composer—related to his or her work?” The New Yorker lists 7 archived pieces by way of answer.
Winter’s Bone author Daniel Woodrell has a new book out, and to mark the occasion, he talks with Dwyer Murphy of Guernica about his upcoming book tour, Southern poverty and the rejections Winter’s Bone received. Sample quote: "When my family started doing better and my parents encouraged my brothers and me to succeed beyond them, we started asking why our parents were telling us to strive so hard to live in these neighborhoods full of people they clearly resented—and feared too, I think."
Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink's novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
It's not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here's an older piece from the same series in which Paul Lisicky writes about Flannery O'Connor and her "flawed characters."