“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.
We’ve got some great stuff in the pipeline at The Millions, starting with a lierary magazine roundtable (part one of which will be up shortly), but before we get to that a couple of quick links:This week at the LBC we’re discussing our winter 2007 Read This! selection, Wizard of the Crow by Ngugl wa Thiong’o. A roundtable discussion kicks off a week that will include a contest, an interview, a podcast, and more.Speaking of the LBC, a past selection, and one of my favorites from among the books we’ve read, Firmin by Sam Savage, has been named a finalist for the Barnes & Noble 2006 Discover Great New Writers Awards. That little rat just keeps on trucking along.And finally, Robert Birnbaum sits down with Richard Ford (again) for another great interview. Thanks to Millions contributor Noah, we had some great coverage of Ford’s most recent book, The Lay of the Land, in November, including a review, a reader question, and a (very brief) interview..
To date, Hercule Poirot, the Belgian detective created by Agatha Christie, is the only fictional character to get his own obit in the Times. At the LARB, Rumblr editor Molly McArdle looks back on Poirot, the very long-running TV series that ended on November 13th. (h/t The Rumpus)
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.