The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.
Emdashes notes that the New Yorker is issuing an update disk for its Complete New Yorker DVD-ROM set. She also spotted the Complete New Yorker being sold on a portable hard drive.At the Washington Post, an academic writes in defense of the Google Book Search Library Project: “Only a small fraction of the huge number of books published today are printed in editions of more than a few thousand copies. And the great works of even the recent past are quickly passing into obscurity. Google has joined with major libraries to make it possible for all titles to remain accessible to users.”At the SF Chronicle, a report that somebody is finally holding the folks behind the JT Leroy hoax responsible: “Jeffrey Levy-Hinte and Mary Jane Skalski of Antidote Films, an independent film company that bought the rights to JT LeRoy’s novel, Sarah, have sued LeRoy and/or Laura Albert (who was LeRoy) and Judi Farkas, Hollywood manager of the writer. The New York Times reports that in the suit, filed in New York, the filmmakers want $45,000 they paid in options and $60,000 in costs they paid in developing the project.” You’ll recall that back in January I asked What about JT Leroy? (via Ed)The corporate-sponsored literary popularity contest The Quills is back. Here are the many, many nominees. I don’t have much to add to what I wrote about The Quills last year: “If we are dissatisfied with the Booker Prize or the National Book Award or the Pulitzer, the Quills, which casts the net very wide and relies on voting from the reading public, have been presented as a populist alternative. The results are less than satisfying. It is not news to anyone that the reading public likes Harry Potter and books by Sue Monk Kidd and Janet Evanovich. I hold nothing against those bestsellers, but naming them the best books of the year does little to satisfy one’s yearning to be introduced to the best, to have an encounter with a classic in our own time. We like those bestsellers because they entertain us, but while monetary success is the reward for those entertaining authors, awards have typically honored books with qualities that are more difficult to quantify.”Another book banning attempt: The Miami-Dade School Board has sided with a parent who wishes to remove Vamos a Cuba (A Visit to Cuba) and 23 other books from school libraries. The pro-book banning contingent contends that the books fail to give an accurate picture of life in Cuba under Castro. The Miami Herald has the latest.
You can call off the search, Millions readers–we have been given the year-end list to end all year-end lists. The good people over at The Literary Hub spent countless hours poring over social media accounts to bring you the most important “best of” you’ll see all year, The Biggest Cuties in Publishing.