“There is something terrifying but also fascinating about contemplating the end of humanity,” and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.
It’s that time of year again, readers. It’s time to stock up on gossip, skim through pieces on your favorite writers and populate your bookmarks with pages from Ladbrokes and Intrade. It’s time, in other words, to prognosticate the Nobel Prize winner, which Ladbrokes predicts will be the novelist Haruki Murakami. If you read Ben Dooley’s review of 1Q84, you might have placed your bets already.
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.