“There is something terrifying but also fascinating about contemplating the end of humanity,” and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.
“Dickinson wasn’t a madwoman, but she was maddened with rage—against a culture that had no place for a woman with her own fiercely independent mind and will.” On Emily Dickinson’s self-creation at Lit Hub. Pair with a piece on Paul Legault’s English-to-English translations of Dickinson’s poems.
Mixer Publishing wants more of your sex, violence, and satire. They've just extended their contest deadline--for fiction, poetry, and graphic stories--to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
The LA Times has a review up of Eula Biss's On Immunity: An Innoculation, an "elegant, intelligent and very beautiful book, which occupies a space between research and reflection." We covered the collection in our Second-Half 2014 Book Preview, and Biss's first book, Notes from No Man's Land, has appeared in several Millions pieces over the last few years.
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: "The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice." Pair with his recent essay at The Millions on plot and the inciting incident.