“How could we possibly trust any creature that comes into the world wearing such a caul of ambiguity? That’s “essayists.” Four hundred and four years later, they continue to flourish.” John Jeremiah Sullivan offers a loose history of the essay, essayists, and all their many contradictions in a piece for The New Yorker.
This week saw the release of Vanishing Point, Vol. II: Songs of the Living and Dying. You may recall my earlier mention of the Vanishing Point project, which was recently borne out of Duke University’s Center for Documentary Studies. This time around, the publication boasts a redesigned appearance, and it features articles and essays about midwifery in Mali, the intersections between poetry and cinema, and a view of Walden Pond that you’ve never seen before — all presented with accompany visual material, and all produced by university students. This is outstanding stuff, and it’s well worth your time.
"Memoirism is perfect if you’re new to autobiographical writing and want an easy and enjoyable way to tell your story without necessarily having to live it. The software allows you to create memories that appear up to 99% accurate, so you can focus on your home, school, or work." On a revolutionary new writing tool.
"I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages." Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.