“What’s emerging from these studies isn’t just a theory of language or of metaphor. It’s a nascent theory of consciousness.” Michael Chorost writes about the importance of metaphors in literature and the brain.
“Your brain on metaphors”
Why Read Moby Dick?
Nathaniel Philbrick answers the question Why Read Moby-Dick: “the level of the language is like no other,” but also “it’s as close to being our American Bible as we have.”
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Shoot First
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
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Ping-ping-ping
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
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The Women
Director Jamieson Fry follows up–and perhaps surpasses–his incredible book trailer for Dan Chaon’s Await Your Reply with this one for The Women by T.C. Boyle
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The Hip House Guest
Recommended Reading: Tyler Stoddard Smith’s essay on when Allen Ginsberg stayed with his family. “The following night, after Ginsberg’s poetry reading (why would I want to go to that?) a group of students eager for him to impart morsels of omniscience were forced to wait outside my room while we played video games on my Atari 2600—I destroyed Ginsberg at Frogger, but he eviscerated me on Combat.”
Yossarian Wins
At The Paris Review Daily, Katherine Hill (whose debut novel came out two weeks ago) comes up with a bracket of ideal literary friends. (Understandably, Portnoy beat out Humbert Humbert.)