“What’s emerging from these studies isn’t just a theory of language or of metaphor. It’s a nascent theory of consciousness.” Michael Chorost writes about the importance of metaphors in literature and the brain.
“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.
At Bookforum, Alexander Benaim reads the latest novel by Jess Row, which I wrote about as part of our most recent book preview. The novel poses a charged, intriguing question: what would happen if it were possible to change your race? (It might also be a good time to read the author’s Year in Reading entry along with our own Mark O’Connell’s review of the novel at Slate.)
As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.
The Bygone Bureau’s latest ebook, The Graduates, is intended to be “a response to all of these half-hearted pieces about how screwed Millennials are,” says editor Kevin Nguyen. “It’s true that graduating in 2009 didn’t provide the best job market, but in a lot of ways, those struggles have actually led to more interesting experiences and opportunities. And we wanted to capture that optimism.” You can catch two excerpts from the collection over here and over here.