All of us have particular words that we use a little too often. Writers tend to be embarrassed about their predilections for certain turns of phrase. At Slate, Matthew J.X. Malady reacts to the news that he uses iteration too much, and delves into the ways our verbal habits spread to others.
We've written before about various rare recordings of authors reading that occasionally surface on the internet (a sample here) but today we add a new author: James Joyce. Open Culture has posted two recordings of the author reading from Ulysses and Finnegans Wake, and while the audio quality is exactly what you would expect for recordings made in the 1920s, we still recommend listening.
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
"This poem fosters reading again and again, because interpretation is always reaching its limits: eventually, one runs up against a secret gesture to which the only response is either to acknowledge that there is some other conscious being that could make or decipher it, or to fantasize the being that could." A long, worthwhile review of R.F. Langley's Complete Poems from 3:AM Magazine.
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.