Recommended reading: Robert Darnton writes for The New York Review of Books blog about the history and politics of censorship.
Interested in seeing unsettling characters -- preferably with moustaches -- looking for meaning in wacky postmodernist settings? Well, o ye of of bizarre inclinations, you’re in luck: Thomas Pynchon is rumored to be working with Paul Thomas Anderson. (He's also coming out with a new book.)
"Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out." The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today's literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
Sex ed for teenagers is a famously knotty subject, which explains why Pavel Astakhov, Russia’s children’s ombudsman, wants to eschew sex ed classes in favor of literature courses. “It is unacceptable to allow things that could corrupt children,” he said in a television interview. “The best sex education that exists is Russian literature.” (No word yet on what he thinks of Crime and Punishment.) (h/t The Paris Review)
Out this week: Death of the Black-Haired Girl by Robert Stone; Hild by Nicola Griffith; A Permanent Member of the Family by Russell Banks; The Collected Stories of Stefan Zweig; and A Prayer Journal by Flannery O’Connor. For more on these and other new releases, go read our Great Second-Half 2013 Book Preview.
"While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality." Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.