You may have heard that our own Emily St. John Mandel has a new book on shelves. The book depicts a post-apocalyptic future in which a group of nomadic actors deal with the aftermath of a devastating flu pandemic. Claire Cameron (who’s also written for The Millions) reviews the book for The Globe and Mail.
The New End of Days
Weltsday
Here's a Rob MacDonald poem about a spelling bee contestant struggling with the word weltschmerz to get you through your Wednesday.
“Years passed.”
Recommended Reading: “So I Went Away” by Crapalachia author Scott McClanahan.
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The Recuyell Sells
The Recuyell of the Histories of Troye, the first book published in English, recently sold at auction for almost 2 million dollars.
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The Contrived
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.
Atwood and Yeats Together
“This is my song, for real / Do doubt.”
Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
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Music Writing Set to Music: Genius
Christopher R. Weingarten's long Spin essay about Lana Del Rey, Cults, and "a multitude of mostly female-led indie heartachers" is one of the best things you'll read this week. It's also, as a matter of fact, one of the best multimedia integrations of Spotify I've seen in a while. More of this, please.
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