“His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon.” And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.
Want to learn filmmaking from a self-proclaimed “soldier of cinema”? Then sign up for a class with Werner Herzog. The enigmatic director, whose films include Grizzly Man and Fitzcarraldo, announced he’ll be teaching a course in the summer through the online provider Masterclass.
As of last night, the UK has a brand new literary prize, the Folio, which its founders describe as “a Booker without the bow ties.” The Independent chronicles the short history of the prize, which owes its existence to a controversy among Man Booker judges two years ago.
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.
It’s not often that a major publisher listens to a new author when they request a specific painting be used for their book cover. But they listened to Naomi Jackson, and over at the Literary Hub she explains her choice of cover art for Star Side of Bird Hill and the Caribbean significance behind it.