“Books: As with food and clothing, they’re a commodity that elicits status anxiety for many people, particularly the insecure. And wherever there is status anxiety, there are potential minefields. We need to tread with the lightness of meringue.” Henry Alford explains the etiquette of books for The New York Times.
The Etiquette of Books
“The heat of autumn / is different from the heat of summer.”
With the help of Flora Coker, the Poetry Foundation created an animated reading of Jane Hirshfield’s “The Heat of Autumn.”
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John Jeremiah Sullivan Visits Cuba
Pulphead author John Jeremiah Sullivan writes his second New York Times Magazine cover story in five weeks. This is turning into an embarrassment of riches.
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“This annoying world”
We’ve grappled before with the dark world of Kindle self-publishing. We even published a cautionary tale of trying to live off Kindle erotica. In The Guardian, a look at the worst book covers of the Kindlesphere, all of which appear on an excellent Tumblr.
New from Alexandra Fuller
Don’t Let’s Go to the Dogs Tonight author Alexandra Fuller has a new memoir out in a shorter ebook format, Falling: The Story of a Marriage
Bart the Streamer
Following the news that The Simpsons will now be available for online streaming for the first time, Myles McNutt makes the case that the world needs a Simpsons Clip Database. He justifies his sentiment by pointing out that “in a world where Simpsons references are a language for a certain generation, the ability to stream this content has tremendous value, and could push use of an app that otherwise would struggle to compete with services like Netflix.”
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“A secret, writerly sympathy for the hoarder”
Adding to a review by Pamela Erens for The Millions, Zoë Heller reads Janet Malcolm’s Forty One False Starts for the New York Review of Books. Among other things, she concludes that the writer’s job, at least in Malcolm’s estimation, is “to vanquish mess.” (You could also read a review in The Nation I wrote about a few weeks ago.)
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Translators at Work
Clarice Lispector’s translator and Year in Reading alumna Katrina Dodson interviews Elena Ferrante’s English-language translator Ann Goldstein about private identities and the final Neapolitan novel.