“Although comfortable with solitude, he admits: ‘I couldn’t write all the time. As a writer, you have to come out into the world. I don’t have a Salinger or a Pynchon impulse. There are so many things to do that are interesting.’” Talking with Ian McEwan.
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House’s One World imprint on how we can actually achieve diversity in the publishing industry. “What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture.” And he shares the origin story of how he started to work with Ta-Nehisi Coates.
What did we read in the Obama era? Christian Lorentzen has some answers. Apart from individual books like The Flamethrowers and The Art of Fielding, he comes up with some genres that have dominated the past eight years, including autofiction, works of trauma and fables of meritocracy. (You can probably guess where Leaving the Atocha Station ends up.)
The Welsh government is hoping that Dylan Thomas can do for Swansea what James Joyce has done for Dublin. This year, officials have announced that £750,000 will be made available for the DT 100 Festival, which will celebrate the centennial of the poet’s birth. Aside from boosting tourism, however, the festival’s organizers also hope to “raise the status of Thomas,” who many feel has “[been] neglected [and had] his work … overshadowed by a conception of the man as a drunkard, scrounger and womaniser.”
In a 6,000 word essay for The Point, founding editor Jon Baskin wades into the personal and professional psychodrama of the Franzen–Wallace friendship. Beneath the public surface, finds deep questions about the “novel of the self,” the “novel of society,” and the life worth living.