“I struggled, quite a bit, writing this review. Reviewing books, while easy in certain ways — you have certain aspects of form to follow, there are certain features of books that cannot go unremarked: one must write about character, about language, about technique — and really a rather simple process (much simpler, it would seem, than writing books), can also be a pain. Especially, frustratingly enough, when the book is really good.” On Lola Lafon’s We Are the Birds of the Coming Storm.
A retired Japanese couple has teamed up with an architecture firm to design “a house with a bookshop and a café where neighbors and visitors can stop by.” The result is a decidedly more spacious and well-lit version of Brazenhead Books – another domicile/bookshop.
For those of us on the east coast, this reimagining of Cormac McCarthy’s The Road as The Road (Has Not Been Plowed In Thirty-Two Hours) should really hit home this morning. Bonus: The Road also made our own “Best of The Millennium” list.
For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”