“In the end, no special effects, dazzling displays, augmented realities, or multimodal cross-platform designs substitute for content. Scholarship, good scholarship, the work of a lifetime commitment to working in a field — mapping its references, arguments, scholars, sources, and terrain of discourse — has no substitute.” Johanna Drucker writes about both the importance and the inherent difficulty of scholarly publishing for the Los Angeles Review of Books.
“When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them.” Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn’t escapism. Pair with our own Edan Lepucki‘s review of Grossman’s latest novel, The Magician’s Land.
Vanity Fair’s latest cover is proof that we live in an era in which men have the privilege of being just as objectified as women. Nominally a celebration of the 2010 World Cup that kicks off in South Africa in June, the magazine’s gay porn-ish cover features soccer superstars Didier Drogba of the Ivory Coast and Portugal’s Christiano Ronaldo in nothing but their flags, photographed by Annie Leibovitz. Within (oh, my stars & stripes!) you can behold the U.S.’s Landon Donovan, as well as Brazil’s Kaká, Italy’s Gianluigi Buffon, England’s Carlton Cole, Germany’s Michael Ballack–all in their undies. Cheers to you, Vanity Fair: Your enterprising shamelessness truly knows no bounds.
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”