Last Friday was T.S. Eliot’s birthday, and to mark the occasion, Sadie Stein looked back on his 1965 Times obituary. As it turns out, it uses a phrase — now obscure — that was popularized by Nancy Mitford in the anthology Noblesse Oblige.
Old Last Words
The New Genre
Is Twitter an official literary genre? David Mitchell, Philip Pullman, Margaret Atwood, and others take on the 140-character interface as a storytelling platform. Pair with our piece on the best of literary Twitter.
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The Annual Fund
"And, it really means so much to us to watch our birds fly out of the high school nest and into an income bracket that could really benefit the Annual Fund this year. I mean, we have 85% of our goal, but as you know, that’s only a B. And we know that you are an A student." Ah, what a heartwarming and totally genuine letter from my private, nonprofit high school congratulating me on my new job. Thanks, McSweeney's.
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The Beat Drops And Rises Again
Scott Plagenhoef tracks electronica's Phoenix-like trajectory from its overhyped beginning in the 90's through its contemporary influence on folks like Skrillex.
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The Value of Difficulty
“When we read a book that requires that effort — when the act of reading becomes rigorous and self-aware, rather than effortless and transparent — we get to have a history with what we’ve given ourselves to, a history etched into us by the demanding friction of its difficulty.” Zoë Heller and Leslie Jamison debate whether or not we overvalue difficult literature in The New York Times.
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Wealth Retention for the Good of the Wizarding World
A while back, I pointed readers to Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published by The Toast’s Mallory Ortberg. It satisfied those of you who never understood why Harry didn’t slough off his legions of parasitic friends. Now, The Toast brings us the conclusion to the series, in which Harry’s labors bring him the rewards he deserves. Sample quote: “I have earned the Elder Wand through my own achievements.”
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