RIP Karl Miller, one of the founders of The London Review of Books and an editor of the magazine for thirteen years. Originally meant to fill a vacuum left by a strike at the Times Literary Supplement, the LRB grew into “the liveliest, the most serious and also the most radical literary magazine we have,” in Alan Bennett’s words.
Obituary for Karl Miller
Drawing Autism
April is Autism Awareness Month, and a new paperback edition of Drawing Autism displays artwork created by artists all along the spectrum. You can take a look at some examples over here, and New Yorkers can hear from the book’s editor at the United Nations on April 2nd.
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Behind the Longreads
On January 25th, if you’re in New York City, you could do worse than to listen to a handful of New York Magazine editors discuss non-fiction storytelling. The event is being held in conjunction with Longreads and Housing Works Bookstore Café.
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The Link Between Writing and Listening with Tracy K. Smith
Tracy K. Smith discusses her newest poetry collection, Such Color, whose poems allowed her to face this past year and a half with a sense of peace.
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Folk Lore
If his new novel Against the Country is any indication, Ben Metcalf gets his best inspiration from the worst of rural America. In the book, which features a panoply of awful crimes and obscenities, Metcalf rides roughshod over the notion of the rural idyll. In Bookforum, onetime Millions staffer Emily Colette Wilkinson reviews the novel, calling it “a gut-busting knee slapper” in spite of its glut of macabre scenes.
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Tuesday New Release Day: Unferth; Grodstein; Carter; Journey; Brown; Lethem
Out this week: Wait Till You See Me Dance by Deb Olin Unferth; Our Short History by Lauren Grodstein; Lucky You by Erika Carter; An Arrangement of Skin by Anna Journey; The River of Kings by Taylor Brown; and More Alive and Less Lonely by Jonathan Lethem. For more on these and other new titles, go read our most recent book preview.
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Scrubbing Facebook
Adrian Chen spoke with a former Facebook employee, and learned “how Facebook censors the dark content it doesn’t want you to see, and the people whose job it is to make sure you don’t.” In short: exploitation of “human content monitors” in the third world.