“I think writing about the real world, as we live in it today, is very difficult; many writers try to escape it. But then what books will be the classics from our generation? Which of them will be the commentaries on our lot?” William Ruof argues that studying nonfiction may make the best fiction writers in a piece for The State Press.
Good versus evil, a hero coming of age, wars, and sibling love — Star Wars is the play William Shakespeare never wrote. Fortunately, Ian Doescher rewrote the tale of the Jedi in iambic pentameter in William Shakespeare’s Star Wars. The best part is the book trailer, which features Shakespearean actors wielding lightsabers.
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.
“He wrote the first drafts by hand, and when that became too difficult, dictated sections of the book into a tape recorder.” Before his death in July, playwright and actor Sam Shepard wrote a novel called Spy of the First Person, which is forthcoming from Knopf in December. From our archives, a list of writers who also act.
“A trip to the 21st century. Prague, maybe, or London, some big city where he can wander around being a bored tourist, snapping his gum, picking his nose in cathedrals, snapback on crooked and hopping from foot to foot, looking for a basketball court.” Thats what it would look like if Achilles (and other sad literary characters) got the holidays they deserved.