Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to “make a physical print book of a hard-to-find book, a public domain title or self publish a book.” Espresso Book Machines also win our prize for “Most Misleading Machine Name.”
Submissions are open for the Oxford American‘s Jeff Baskin Writers Fellowship, which awards a $10,000 living stipend, housing, and an editorial apprenticeship toward a nine-month residency with the magazine. The goal is to support the writing of a debut work of creative nonfiction, and the application deadline is midnight EST, March 30, 2017.
Most of the time, when somebody insults a writer on Twitter, the insult disappears into the cyberspace ether. However, as with any rule, there are always exceptions, and one is when you trash Joyce Carol Oates and then thank her for inventing a breakfast food.
Sometimes the most important issues are the most difficult to discuss. While a conversation about diversity in literature has started, The New Republic asks us why socioeconomic status is often left out of the conversation. Our essay on the rise and fall of the creative class pairs nicely.
NME journalist and Man and Boy author Tony Parsons has been named London’s Heathrow Airport’s second writer in residence. He will use his weeklong stay to research for his new book Departures: Seven Stories from Heathrow. It will be released in October, and the BAA plans on distributing 5,000 copies to airport customers. In 2009, Alain de Botton served as the airport’s first writer in residence, and he used his stint to pen A Week at the Airport.
“I have a girl brain but in a boy body. This is called transgender. I was born this way!” The Los Angeles Times reports on an elementary-school teacher reading I Am Jazz, written by transgender teenager Jazz Jennings, with her class; encouragingly, not that many parents freak out. Pair with writer T.K. Dalton reflecting on how to traverse the terrain of books, children, and gender.