“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
Who among us hasn’t considered turning to jewel thievery and the heisting life during some of our weaker moments? Over at The Daily Beast, Geoff Manaugh takes a look at why we all secretly dream of becoming jewel thieves. If you enjoyed this heist story but you found it lacking in Ben Affleck, then here’s a piece on his true-crime flick The Town and bad drama.
Madhu Kaza, a “writer, artist and educator,” has a possible solution for you. She’ll come into your home 15 minutes before bedtime and sit in a chair beside your bed and read to you from your favorite books until you fall asleep. Then she’ll let herself out and lock the door behind her. The free service is called Here Is Where We Meet, the title of a 2005 novel by John Berger. The only requirement is that you fill out a short questionnaire and make an appointment — and get ready to say goodbye to the sheep and the warm milk.
Don’t blame Amazon or Goodreads for authors writing rave reviews of their own work. Writers have been self-promoting since the 1700s, when it was called “puffery.” As Nicholas Mason writes for Symposium Magazine, “Nearly every British writer of the late eighteenth and early nineteenth centuries either participated in or benefitted from ginned-up book reviews.” The list of puffed up authors includes Mary Wollstonecraft, Walter Scott, and Mary Shelley.
Our favourite American editor of an across-the-pond publication – Emily Bobrow of More Intelligent Life – chats with The Morning News about Anglo-American stylistic differences: “The English work hard but pretend not to, while Americans often strain to look busy.”
“[W]e can confirm that there is no place on Earth (not even Antarctica) that literature isn’t written.” Michael Barron, the U.S. literary editor for Culture Trip, curates “The Global Anthology,” an online project showcasing more than 220 pieces of literature from all over the world written in or translated into English (via Moby Lives).