“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
“Lyric Essay as Perversion”
The Right Kind of Ambivalence
In the latest entry in By Heart, which I’ve written about before, Thirty Girls author Susan Minot explains why she prefers to read multiple books at once instead of reading through single books from start to finish. Her reasoning? Books are “worlds to dip in and out of, and my relationship to them is continually deepening and evolving.”
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A Bit Rusty
Most of our discussions about changing the canon revolve around adding onetime marginalized writers. But there’s a flipside to this — who do we need to eject? In a Bookends column for the Times, James Parker and Francine Prose pick greats that are no longer great.
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“The Book Was Better.” Or Was It?
Did Baz Lurhmann’s Great Gatsby adaptation leave you feeling a little disappointed? Then consider Kate Kelsall’s short list of “utterly compelling cinematic adaptations” to be just what the doctor ordered.
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The Pen Reveals
What does handwriting tell us about its author? The Atlantic investigates. Our own Kevin Hartnett explains why he writes by hand.
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Norm Macdonald’s Book Club
“One night, in the spring of 2011, [Norm] Macdonald mentioned his love of literature, and someone suggested he start a Twitter book club. A new account was created (@NormsBookClub) and the club was born. … And then things get a little weird.”
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The Literature of Loss
“Loss isn’t science; it’s a human reckoning.” The New York Times posts an e-mail conversation between Joyce Carol Oates and Meghan O’Rourke on why we write about grief, following the release of Oates’ memoir A Widow’s Story and in anticipation of O’Rourke’s own memoir of loss, The Long Goodbye.
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