“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
“Lyric Essay as Perversion”
I will tell you this Rosalina, not as a taunt or a threat but as an evocation of joy.
From Werner Herzog’s letter to Rosalina, the woman he employs to keep his house: “Music is futile and malicious. So please, if you require entertainment while organizing the recycling, refrain from the ‘pop radio’ I was affronted by recently. May I recommend the recitation of some sharp verse. Perhaps by Goethe. Or Schiller. Or Shel Silverstein at a push.”
Cain: Selling a Candidate or Selling Books?
Instead of capitalizing on his newfound momentum by hitting the campaign trail hard, Herman Cain this week opted to spend most of his time promoting his book, This is Herman Cain! My Journey to the White House, which just arrived in retail stores this week.
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How Do You Like Your Copy?
Lit Hub has brought Benjamin Dryer and Mary Norris together to discuss their love of editing, copy mistakes writers often make, and more.
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Noted News Items
Paul Auster is still getting mileage out of a short story that appeared in the New York Times on Christmas day 1990. “Auggie Wren’s Christmas Story” was subsequently released as a limited edition book illustrated by Brian Cronin. The story became the inspiration for the films Smoke and Blue in the Face. Now, Henry Holt is releasing another edition of the story. This time the book is illustrated by an Argentinean artist named, cryptically, ISOL. Here’s the story if you want to read it.The London Review of Books is celebrating its 25th anniversary, and to mark the occasion, the Guardian sits down with LRB editor, Mary-Kay Wilmers.The CS Monitor continues to provide its capsule reviews of the National Book Award nominees. Here are the reviews for the young adult category.
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Back Home
Sometimes, a writer needs to live in the setting of his or her fiction, as was the case with William Faulkner, who famously took a train from Hollywood to Mississippi solely to break through his writer’s block. Other times, they need to move away to find the inspiration to write about their home. In The Globe and Mail, Marsha Lederman writes about Emma Hooper, who credits her move to England with helping her write a novel set in her native Saskatchewan.
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The Secret Space of Diaries
For the New Yorker, Morgan Jerkins reviews Helen Oyeyemi’s What Is Not Yours Is Not Yours and considers what keeping a diary means for “a black woman in a white world.”
Holy the First Pitch!
Beat poet Allen Ginsberg once threw out a surprisingly decent first pitch at a San Francisco Giants game while wearing a pocket protector. Seriously. Here’s our own Bill Morris with a little more on Ginsberg, Beats, and film.
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