Boston has announced the country’s first “Literary Culture District,” marked by memorials to Edgar Allen Poe and Sylvia Plath. It also includes some arguably less interesting sites – the buildings that used to house The Atlantic Monthly and Little, Brown and Company, for example. Caroline O’Donovan writes critically about the new district for The Baffler and concludes that “we’ve allowed glib cultural ideals to occlude economic realities, and tourism tax dollars to triumph over a candid conversation about the origins of art and the sustainability of its production.”
Vanity Fair’s latest cover is proof that we live in an era in which men have the privilege of being just as objectified as women. Nominally a celebration of the 2010 World Cup that kicks off in South Africa in June, the magazine’s gay porn-ish cover features soccer superstars Didier Drogba of the Ivory Coast and Portugal’s Christiano Ronaldo in nothing but their flags, photographed by Annie Leibovitz. Within (oh, my stars & stripes!) you can behold the U.S.’s Landon Donovan, as well as Brazil’s Kaká, Italy’s Gianluigi Buffon, England’s Carlton Cole, Germany’s Michael Ballack–all in their undies. Cheers to you, Vanity Fair: Your enterprising shamelessness truly knows no bounds.
Tracy Letts’ outstanding play August: Osage County was tapped for a movie adaptation back in 2010, but the project seemed to fall by the wayside shortly after. Then, last week, Bob Weinstein (of The Weinstein Company) announced the adaptation will begin filming this fall. It’ll star Meryl Streep and Julia Roberts. You can read an excerpt from the play on our Tumblr.
Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
Who has a bigger vocabulary: Shakespeare or André 3000? It’s actually Outkast. Data scientist Matt Daniels created an infographic that charts 85 rappers’ unique vocabulary in their first 35,000 lyrics. Outkast uses 5,212 unique words; whereas, Shakespeare only uses 5,170. But Aesop Rock beats the Bard by more than 2,000 words with a count of 7,392 unique words.