Boston has announced the country’s first “Literary Culture District,” marked by memorials to Edgar Allen Poe and Sylvia Plath. It also includes some arguably less interesting sites – the buildings that used to house The Atlantic Monthly and Little, Brown and Company, for example. Caroline O’Donovan writes critically about the new district for The Baffler and concludes that “we’ve allowed glib cultural ideals to occlude economic realities, and tourism tax dollars to triumph over a candid conversation about the origins of art and the sustainability of its production.”
"This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives." Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
Indie press Two Dollar Radio announced today that they’re launching Two Dollar Radio Moving Pictures, a micro-budget film division. They’ll open with three new projects (announcement video here) funded by a newly-opened IndieGoGo campaign. Donors will not only be contributing to a worthwhile venture from one of America’s best small publishers, but they’ll also be in line to receive a heap of sweet perks from the likes of Grace Krilanovich, Karolina Waclawiak, Joshua Mohr, and Scott McClanahan. Bonus: publisher (and Millions contributor) Eric Obenauf spoke with Paul Martone for the Late Night Library podcast.
“A novel is a trek home from the desert, sometimes a journey you wish you had never started. Exhausting and humbling, just occasionally wonderful. But a short story can come from a deeper part of the cave.” Jane Gardam on why she prefers writing short stories instead of novels in The Guardian. Pair with Lisa Peet’s essay on Gardam’s organically grown characters.