Alex Ross writes for The New Yorker about Walter Benjamin, Theodor Adorno, and modern pop culture. Jay-Z and Kanye come up, as does Jonathan Franzen‘s The Corrections (which we’ve written about here and here) and Virginia Woolf‘s The Waves.
Kanye & The Frankfurt School
Pynchon Defends McEwan
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Searching for the Female Huck Finn
Where’s the female counterpart to Ishmael or Sal Paradise, Vanessa Veselka asks. “When a man steps onto the road, his journey begins. When a woman steps onto that same road, hers ends.”
Bold and Messy
Over at Full Stop, Josephine Livingstone writes about Eileen Myles’s hip image and the renewed success of Chelsea Girls. Also check out Stephanie LaCava’s Millions essay on how social media helped to push Myles’s book into the mainstream.
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Not So Smart
Ava Kofman writes about Disney’s Smart House becoming a reality (or just making our lives more difficult).
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More from the DFW Archives
Another deep dive into the Wallace archive, this time courtesy of Open Letters Monthly. Interesting stuff here on Dostoevsky and, er…”balls.”
Let’s Get a Novelist to Write a Birth Scene Transmitted via Skype
This week, Allison K. Gibson looked into the “awkward but necessary role of technology in fiction,” and what it means to include it or overlook it in a given work of fiction. Similarly, what’s with the absence of birth scenes in literature?
Self-Published, Self-Promoted
Four days ago, The New York Times exposed the practice of purchasing five-star reviews on Amazon. So far, few have offered solutions. A Reddit user explains how to properly read Amazon review graphs through the cloud of purchased hype. Erin Keane calls for independent writers to hold themselves to higher standards.
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