Alex Ross writes for The New Yorker about Walter Benjamin, Theodor Adorno, and modern pop culture. Jay-Z and Kanye come up, as does Jonathan Franzen‘s The Corrections (which we’ve written about here and here) and Virginia Woolf‘s The Waves.
“In addition to fearing, as a young person, that I lacked sophistication, I also feared that I lacked courage. It was hard for me to say something even mildly tough about someone else or their work; hard for me, generally, to be critical. Mary McCarthy had no such trouble.” Meg Wolitzer, author of The Interestings, writes about her literary idol for the LA Times.
Out today are Zsuzsi Gartner’s Better Living Through Plastic Explosives, which was shortlisted for Canada’s top literary prize, and Antifragile: Things That Gain from Disorder bestselling expert on chaos Nassim Talib. Out in paperback: The Paris Wife by Paula McLain and How It All Began by Penelope Lively.
The Harvard Hoaxer‘s not-to-be-missed resume (pdf) includes several impressive under-contract book projects, including The Mapping of an Ideological Demesne; Wampum and the Origins of American Money; and A Short History of North America. Pretty impressive, for a 23-year-old.