“Long before feminism made fashion a guilty pleasure, my first experience of the sisterhood among strangers took place in a communal dressing room.” Judith Thurman writes for The New Yorker about Women in Clothes and her experiences in thrift stores and clothing swaps. For more about the connections between feminism, dressing and literature, check out Rachel Signer‘s Millions review of the same anthology.
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
This fall, Marilynne Robinson will mark her return to a fictional plains town in Iowa with the publication of Lila, the third novel in her Gilead series. Expect the novel to be featured in our forthcoming Great Book Preview, but if you can’t wait until then, you’ve got to check out FSG’s exclusive excerpt from the book.
Idris Elba, Sean Penn and Javier Bardem have signed on to star in a film adaptation of Jean-Patrick Manchette’s novel, The Prone Gunman. According to Christian Blauvelt of Hollywood.com, “Elba will be playing a cloak-and-dagger agent named Dupont who tangles with Sean Penn, who also plays an agent for a clandestine operations outfit who is betrayed by his organization, forcing him on the run across Europe.”
“When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own.” An excerpt from Borges‘s conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
“Joseph K., that icon of single-lettered anonymity from Franz Kafka’s novel The Trial,” writes Tom Engelhardt for Guernica, “would undoubtedly have felt right at home in [James] Clapper’s Washington.”
“‘Moby Dick is one of my favorite books, but let’s face it — it’s a hot mess,’ says Evison. ‘If I had software that said, ‘Look, maybe this four-page essay on scrimshaw isn’t gonna fly with your 28 to 40 male [demographic],’ what would we have lost with that? Sometimes, you know, it’s just got to be a little bit of a dictatorship.'” When e-readers and marketing tactics collide.