It’s a common trope in writing courses that young artists need a dose of childlike creativity. Self-help books for people with writer’s block are filled with callbacks to childhood interests. But is it possible, as Tasha Golden argues at the Ploughshares blog, that idealizing children isn’t the answer to our problems?
Just in time for today’s Booker announcement, a pair of shortlisters are now (or will be tomorrow) available stateside: In a Strange Room by Damon Galgut and The Finkler Question by Howard Jacobson. Ian Frazier’s big travelogue (generously excerpted in the New Yorker) Travels in Siberia is out, as is Adam Levin’s massive The Instructions from McSweeney’s. Three more: Djibouti by Elmore Leonard, How to Read the Air by Dinaw Mengestu, and a gorgeous Library of America edition of “six novels in woodcuts” by pioneering graphic novelist Lynd Ward.
People Who Eat Darkness author Richard Lloyd Parry’s forthcoming book on the Tōhoku earthquake and its aftermath, Ghosts of the Tsunami, will be released some time in late summer/early fall, and BBC Radio put together a 30-minute teaser to tide you over until then. You can also check out Parry’s moving yet unsettling piece for the London Review of Books.
In exciting micro library news, Book Riot reports that the 50,000-th Little Free Library was “planted” on November 4th, doubling the number of Little Libraries in the U.S. a year and a half ago. We’re all in agreement that big libraries are more vital than ever, though, right?
“Goodreads lets me capture and disperse impressions that occur as I read. I tend to track the sounds I make when reading, the chortles, gasps, growls, and LOLs. I try to figure out why I might not have liked aspects of a book, looking under the hood in a workshoppy way…” Lee Klein offers a defense of Goodreads and good criticism over at Full Stop.