This week in book-related internet graphics: Penguin has created an interactive map of literary genres, complete with some very creatively shaped “countries”. As Electric Literature points out, “the fact that the map is aimed at current self-publishing authors explains why YA is it’s own continent while genres like Gothic fiction don’t exist.”
Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
Out this week: The Fortunes by Peter Ho Davies; Dear Mr. M by Herman Koch; Sleeping on Jupiter by Anuradha Roy; The Revolutionaries Try Again by Mauro Javier Cardenas; Perfume River by Robert Olen Butler; Weapons of Math Destruction by Cathy O’Neil; Words on the Move by John McWhorter; The Pigeon Tunnel by John le Carré; Hidden Figures by Margot Lee Shetterly; The Art of Waiting by Belle Boggs; Strangers in Their Own Land by Arlie Russell Hochschild; and Here I Am by Jonathan Safran Foer. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Erika Anderson recites her teenage poetry at readings and shares her reasoning for doing so. "I want to live where irony meets kindness, where daring meets bullshit, where everything that failed meets the hope that something might not. I hope my readers do too."
Discovery of the Week: Fairy tales are older than previously thought. Researchers have traced stories back to prehistoric and bronze age times. For example, Beauty and the Beast and Rumplestiltskin “can be securely traced back to the emergence of the major western Indo-European subfamilies as distinct lineages between 2,500 and 6,000 years ago.” Kirsty Logan writes about the problem with fairy tales.