This week in book-related internet graphics: Penguin has created an interactive map of literary genres, complete with some very creatively shaped “countries”. As Electric Literature points out, “the fact that the map is aimed at current self-publishing authors explains why YA is it’s own continent while genres like Gothic fiction don’t exist.”
Why do we reread novels obsessively as children but hardly ever as adults? At The Morning News, Clay Risen discusses why rereading appeals to children so much. "It was a residual sense of wonder, left over long after I had accepted that the reality on the page and the reality beyond it are distinct." Pair with: Our essay on the pleasures and perils of rereading.
"Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive." Longreads has a reading list of forgotten women writers, including Theresa Hak Kyung Cha, Jessie Redmon Fauset, and Anita Brookner, whom we profiled in our own pages last year.
“Repressed homosexual yearnings certainly would account for some of the more striking of [Franz] Kafka’s darker preoccupations,” writes John Banville in his investigation of the writer’s personal life and psychology.
Sex ed for teenagers is a famously knotty subject, which explains why Pavel Astakhov, Russia’s children’s ombudsman, wants to eschew sex ed classes in favor of literature courses. “It is unacceptable to allow things that could corrupt children,” he said in a television interview. “The best sex education that exists is Russian literature.” (No word yet on what he thinks of Crime and Punishment.) (h/t The Paris Review)