Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.
Over at The New York Times, Citizen author Claudia Rankine reviews Teju Cole’s new essay collection. As she puts it, “Cole attempts to untangle the knot of who or what belongs to us and to whom or what do we belong as artists, thinkers and, finally, human beings.” Pair with this Millions interview with Cole.
Granta posts Salman Rushdie’s 1984 essay ‘Outside the Whale’ - a response to an essay by George Orwell about the political role of the artist: “If writers leave the business of making pictures of the world to politicians, it will be one of history's great and most abject abdications.”