Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
From Wharton to Woolf
The magical realists were right.
It’s raining cats and dogs and spiders and frogs and scarlet worms and fish. No, really. It is.
“There is no other planet like Earth, […] so Superfund sites have to be super fun.”
We’ve entered the Anthropocene. It’s time to read up: David Biello provides a list of required reading and a thesis on the goal of literature in this new geologic age.
McSweeney’s Column Contest
McSweeney’s is accepting entries for their 3rd Annual Column Contest.
Slow Down, September!
There was a lot going on this September. Luckily, the good folks over at The Literary Hub have provided us with this helpful list of five of the best new books September had to offer. A personal favorite includes Emily Donoghue’s The Wonder, in which the protagonist appears to be subsisting on nothing but water.
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Greg Mortenson Settles with CAI
Greg Mortenson, whose legal and ethical battles we’ve mentioned before, has agreed to repay $1,000,000 of the funds he allegedly embezzled from the Central Asia Institute.
Twin Peaks literary criticism
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
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