“What those who care about books must appreciate is that the boundaries between canonical and noncanonical have never been ironclad in African-American literature.” Clark C. Cooke writes for the LA Review of Books on black crime fiction and the rise of a “new African-American literary scene.”
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
"Define your character’s obsession. Take that obsession and dig up all the language that surrounds it or alludes to it. Rewrite your story using as much of that language as possible." Molly Prentiss for Amazon Author Insights on using personal preoccupations to bring your narratives to life.
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.