“The problem with our national lit isn’t just that it’s often written from the same voice; it’s written often to the same listeners. But if you changed the listeners, you change the art.” Tobias Carroll interviews Kiese Laymon for Vol. 1 Brooklyn.
“Change the listeners”
Tuesday New Release Day
Milan Kundera’s new collection of essays, Encounter, is now out. And for those still trying to figure out Inception, the shooting script has been published.
Full Stop Goes Partisan
Here’s a year-end series with some sharp teeth. In the spirit of The Partisan Review‘s provocative questionnaire from 1939, Full Stop is asking dozens of writers “specifically political questions”. The series began yesterday with Marilynne Robinson.
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iWalser, iBradbury
David Wright recommends five works perfectly suitable for smartphone reading.
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The Cosmonaut
Conrad Aiken’s tombstone reads: “Cosmos Mariner — Destination Unknown.” Which raises the question: what exactly does this epitaph say about the poet’s work? In the LA Times, an argument that Aiken deserves a reappraisal.
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A Voice of One’s Own
“Life is weird and dumb and restrictive, but a poem can be whatever the hell you want it to be for god’s sake. Other people will always have opinions, they’re just really none of my business.” In an interview at the Lit Hub, Tommy Pico talks about poetry and his creative process.
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Very Short Story Contest
Want a chance to win $200 and a shot at glory? Consider entering The Coffin Factory’s “Very Short Story Contest.” The deadline is August 15th.
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End of an Era
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.