Ferris Jabr writes for The New Yorker on the “profound relationship between walking, thinking, and writing,” and cites books such as Ulysses and Mrs. Dalloway as evidence this “curious link between mind and feet” is a serious literary force. After you’ve finished reading Jabr’s piece, be sure to check out Michelle Huneven‘s essay “On Walking and Reading at the Same Time,” and then perhaps go for a little stroll with a good book.
“Make no mistake: if you run a prize, a “best of” list, a residency, with age guidelines you can’t fully justify then, however otherwise diverse your awardees, you and your organisation are consolidating racism, sexism, class and gender discrimination.” Joanna Walsh for The Guardian arguing that, by focusing on youth, literary awards and honors tend to reward “those most likely to have money, security, contacts, confidence.” See also our Post-40 Bloomers series, including interviews most recently with Lidia Yuknavitch and Cole Lavalais.
Out this week: The Twelve Lives of Samuel Hawley by Hannah Tinti; Compass by Mathias Enard; The Women in the Castle by Jessica Shattuck; Simulacra by Airea D. Matthews; and the Later Essays of Susan Sontag. For more on these and other new titles, go read our most recent book preview.
Book Riot offers a step-by-step guide to making your own book covers out of paper bags. Not saying this was a thing we did as kids, particularly when jacket design didn't meet expectations – a certain Dover edition of the Francis Hodgson Burnett classic A Little Princess comes to mind – but not not saying that either.
Slate corrects an oversight to Sarah Palin's otherwise impeccably edited memoir: no index. Theirs runs from "Alaska, autumn bouquet of" (page 1) to "'you betcha' - revelation of as not actually Alaska's state motto" (page 309), and includes such helpful detours as "exclamation point, usage of" (pages 4, 26, 120, 121, 122, 138, 150...) You almost - almost - don't have to read the book.
Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.