“A perfect topography”
Arrested Development Meets Academia
“Dr. Kristin M. Barton is seeking proposals for an edited volume … which will explore Arrested Development from a scholarly perspective,” reads a call for submissions on H-Net. I can see the titles of these essays now. Can’t you? “Desperation Economics: There’s Always Money in the Banana Stand” or “I Don’t Know What I Was Expecting: An Exploration of Dead Doves and Tragicomedy.”
New Asymptote Featuring Péter Nádas and Anne Carson
Recommended Reading: The latest issue of Asymptote, which features work from Péter Nádas and an interview with Anne Carson. (Bonus: Carson has a poem up on The New Republic’s website.)
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Tuesday New Release Day: Cole; Russell; Coover; Grossman; Long; Thompson; Pirzad
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
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The Tables Have Turned
First humans wrote poems made of computer code, and now computers are writing poems made of English words.
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Beware of the Gravedigger
Recommended Reading: On the literary tradition of objectifying and consuming women’s corpses.
“This recent column was just bonkers”
Catching you up to speed with two recent literary controversies: 1) Poets & Writers' MFA rankings kerfuffle gets a climactic and eloquent summary from The Missouri Review's Michael Nye. 2) In response to her Salon article, "How the National Book Awards made themselves irrelevant," Victor LaValle has some fightin' words for Laura Miller.
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Wicked Lovely
Variety reports that Universal Pictures has purchased the film rights to Melissa Marr's YA fantasy novel Wicked Lovely. Edward Scissorhands screenwriter Caroline Thompson is to adapt the book about a young girl pursued by the king of the fairies. As far as king-of-the-fairies movies go, I'm more interested in what's happened to the film adaption of Susanna Clarke's Jonathan Strange and Mr. Norrell, whose film rights were purchased in 2004.
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