It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”
Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
Junot Diaz, whose novel The Brief and Wondrous Life of Oscar Wao won the Pulitzer Prize in 2008, has been deemed “un-patriotic” and “anti-Dominican” by the Dominican Republic’s consul in New York City. Diaz had been working in Washington with Haitian-born writer Edwidge Danticat in the hopes of urging the U.S. government to take action against the abhorrent treatment of Haitian immigrants in the Dominican Republic.