“You frequently attend the opera to gossip about other patrons. You have never actually seen an opera.” How to tell if you’re in a Balzac novel.
Fans of Mary Karr's The Liar's Club and Cherry: At the New York Times Book Review, Susan Cheever describes Karr's latest memoir, Lit, as "the best book about being a woman in America I have read in years." michael kors outlet michael kors outlet online cheap michael kors handbags
When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
“Sometimes I fear that Midwestern authors are seen from a similar vantage point: that many of us are 'fly-over writers' to whom readers wave (or just ignore completely) as they make their way to Saul Bellow and Stuart Dybek and Marilynne Robinson. I fear that these bigger names, along with a few others (Charles Baxter, Lorrie Moore), are seen as exceptions to the general rule that little of cultural worth grows in this flat, middle stretch of the country.” On the plight of the literary Midwesterner.
As part of their ongoing effort to steer folks away from bad journalism, the folks at The Morning News are running a series on reading news wisely. This week, Brendan Fitzgerald takes a look at misleading headlines, urging readers to “let headlines pique your curiosity, but be sure journalists deliver.”
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.