“You frequently attend the opera to gossip about other patrons. You have never actually seen an opera.” How to tell if you’re in a Balzac novel.
Want to make your writing shorter? Revise more. At The New York Times, Danny Heitman discusses the art of brevity. "Like passengers in a lifeboat, all the words in a concise text must pull their own weight." Pair with: Our own Edan Lepucki's essay on the challenges and benefits of brevity.
It exists! The long-lost letter from Neal Cassady that inspired Jack Kerouac to write On the Road will be auctioned next month at Christies, ending an 18-month-long battle over its ownership and another 60-year-long battle over its existence. As Kerouac said, "It was the greatest piece of writing I ever saw, better’n anybody in America, or at least enough to make Melville, Twain, Dreiser, Wolfe, I dunno who, spin in their graves."
"The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA." Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel's look at "Working the Double Shift."