At Page-Turner, Daphne Merkin reads Catherine Lacey’s Nobody Is Ever Missing, which follows the journey of a disenchanted New Yorker as she hitchhikes her way through New Zealand. The novel, Merkin writes, features what Leslie Jamison, in her recent essay collection, termed a “post-wounded woman.”
The Wildebeest
Citation, Please
Fun Fact: British radio and television presenter Alan Partridge (a fictional character played by Steve Coogan) is referenced in not one, not two, but seven entries in the Oxford English Dictionary. Oh, you cheeky Brits.
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New Vampire Weekend
According to Chris Richards at the Washington Post, the Ivy League rockers of Vampire Weekend are the unapologetic Bright Young Things of our recession era. Drinking Darjeeling on Daddy's yacht never looked so good, he says, and their second album, Contra, out yesterday, sounds pretty good too.
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The PEN World Voices Line-Up
PEN World Voices, the great annual festival of International Literature, unveils this year's lineup for the week of April 26, in New York and elsewhere. Highlights include Norman Rush, Patti Smith, László Krasznahorkai, Rodrigo Frésan, and Sherman Alexie's "Freedom to Write" lecture.
What’s In A Name?
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Crying with John Green
Watching your book be adapted into a film can be a challenge for an author. At Vulture, John Green discusses his involvement in The Fault in Our Stars adaptation, which he has nothing but positive things to say about. "It was a joke on the movie that I cried every day. But I cried every day because they were good every day!" The film's full trailer was released this week, and in case you still haven't read the novel, here's our review.
Punctuate With Extreme Prejudice
Noreen Malone - writing in Slate - launches a rearguard action against the em-dash. Is it fair to harbor punctuation prejudice? If so, a confession: I can't stand the ampersand.
Contested Accounts
After reading through two new biographies of Sylvia Plath -- American Isis and Mad Girl’s Love Song -- Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)
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Mr. Cromwell
Wolf Hall, you may have heard, is now a TV show, which you can watch on PBS (in the US) and BBC Two (in the UK). Is it good? According to Sonia Saraiya, the adaptation of Hilary Mantel’s novel is eminently worth watching, “a rare adaptation from book to screen that makes the most of what the visual medium can provide.” You could also read our interview with Mantel.
Just finished Lacey’s novel. Elyria is a fascinating character, who indeed is “post-wounded.” She’s also mentally ill.