At Page-Turner, Daphne Merkin reads Catherine Lacey’s Nobody Is Ever Missing, which follows the journey of a disenchanted New Yorker as she hitchhikes her way through New Zealand. The novel, Merkin writes, features what Leslie Jamison, in her recent essay collection, termed a “post-wounded woman.”
The Wildebeest
Carver and Lish, Revisited
On the heels of our recent look at the dynamic between Raymond Carver and Gordon Lish, a close reading of versions of Carver’s stories, with and without Lish’s editorial involvement.
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(Don’t) Judge a Book by Its Cover
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
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Self-Absorbed
Geoff Dyer is fond of taking potshots at literary academics. He devotes considerable time in one of his novels to a professor whose speech at a conference goes off the rails. Which is why it’s odd that, in mid-July, the author showed up at a conference devoted to — what else? — his own work. (It’s apropos to point out here that our own Mark O’Connell wrote a great essay for Slate about Dyer.)
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Ready, Set, Goals
Octavia Butler did everything she set herself to do in this ambitious to-do list—courtesy of the Butler Archive at the Huntington Library in San Marino.
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La Buena Educacion
At The Paris Review Daily, Pedro Almodóvar tallies the elements of cinematic comedy, which include good timing, “rapid-fire dialogue” and rehearsals that draw out spontaneous performances from actors.
Praising Penelope
Biographer and novelist Penelope Fitzgerald of the Booker Prized novel Offshore, was born on this day in 1916. Ranked twenty-third on the London Times 2008 list of “Britain’s Fifty Greatest Writers Since WWII,” Fitzgerald didn’t begin her twenty-year writing career until age fifty-eight. Can we say Post-40 Bloomer?
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Just finished Lacey’s novel. Elyria is a fascinating character, who indeed is “post-wounded.” She’s also mentally ill.