“Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul.” Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed “the most awesome book cover of the summer,” in particular.
Amazon has given its entire front page over to a “letter” from CEO Jeff Bezos touting Dan Brown’s forthcoming gnostic thriller The Lost Symbol. It’s a mix of hyperbole and “thrilling” intrigue. My favorite excerpts: “This is one of the most anticipated publishing events of all time.” “The book remains so deeply under wraps that we’ve agreed to keep our stockpile under 24-hour guard in its own chain-link enclosure, with two locks requiring two separate people for entry.” Bezos goes on to promise that Amazon will deliver Kindle owners the book “wirelessly while [they] sleep.”
A conference on the implications of Google’s proposed settlement with publishers will highlight the massive role Google’s scanning project will play in the future of books. “‘This is the last library.’ It’s going to be extremely difficult for anyone else to create a similar digital library in the future, at least under the current laws.”
Graywolf Press – the publisher behind Citizen, The Empathy Exams, The Argonauts, and On Immunity: An Inoculation – has built a reputation as “a scrappy little press that harnessed and to some extent generated a revolution in nonfiction, turning the previously unprepossessing genre of the ‘lyric essay’ into a major cultural force.” Over at Vulture, Boris Kachka writes about the history of one of the nation’s leading independent literary publishers.